make me a bird...

lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 
lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 

lucifers-kittykat:

This is Susan Robinson, one of the last people in the country who can preform late term abortions after the murder of Dr. George Tiller. This is from an awesome documentary called After Tiller, about the last 4 late-term abortion practitioners in the country. It’s a great watch and available on Netflix, would strongly recommend. 

(Source: throwherinthewater)


hifructosemag:

With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies. Read more on Hi-Fructose.hifructosemag:

With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies. Read more on Hi-Fructose.

hifructosemag:

With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies. Read more on Hi-Fructose.


hifructosemag:

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response. See more on Hi-Fructose.hifructosemag:

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response. See more on Hi-Fructose.hifructosemag:

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response. See more on Hi-Fructose.

hifructosemag:

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response. See more on Hi-Fructose.